Write Like Mozart: An Introduction to Classical Music Composition

  • 4.9
Approx. 15 hours to complete

Course Summary

Learn the principles of classical composition and develop your own unique voice in this course. You'll explore the techniques used by classical composers and gain a deeper understanding of music theory.

Key Learning Points

  • Learn the fundamentals of classical composition
  • Develop your own unique voice
  • Understand the techniques used by classical composers

Related Topics for further study


Learning Outcomes

  • Develop a deeper understanding of classical composition
  • Create your own compositions
  • Gain a unique voice in your compositions

Prerequisites or good to have knowledge before taking this course

  • Basic understanding of music theory
  • Ability to read sheet music

Course Difficulty Level

Intermediate

Course Format

  • Online
  • Self-paced
  • Video lectures
  • Assignments

Similar Courses

  • Jazz Composition
  • Electronic Music Production

Related Education Paths


Related Books

Description

This course introduces students to strategies for style writing of common practice European art music. The issues of harmonic progression, voice leading, and texture are addressed in addition to relevant compositional concepts like repetition, variation, and elaboration. The course aims to offer a creative space even within the restrictions of stylistic emulation.

Outline

  • Module One
  • Lesson 0 - Introduction
  • Lesson 1 - Chords
  • Lesson 2 Part 1 - Voicing
  • Lesson 2 Part 2 - Voicing Practice
  • Lesson 3 - Basic Progressions
  • Lesson 4 - Voice Leading
  • Lesson 5 Part 1 - Voice Leading with the Common Tone Approach (I-V-I and I-IV-I)
  • Lesson 5 Part 2 - Voice Leading Without Common Tones (I-V-I and I-IV-I)
  • Lesson 5 Part 3 - Resolution of the V7 Chord
  • Lesson 5 Part 4 - Voice Leading From IV-V
  • Lesson 5 Part 5 - Voice Leading With Chords that Have a Mediant Relationship
  • Lesson 6 - Texture Types
  • Lesson 7 - Voice Leading Practice Part 1
  • Lesson 7 - Voice Leading Practice Part 2
  • Pre-Course Survey
  • Syllabus
  • Reference Materials
  • Manuscript Paper
  • Self-Assessment
  • Quiz 1
  • Module Two
  • Lesson 0 - Inversion Notation
  • Lesson 1 Part 1 - Progressions with Inversions
  • Lesson 1 Part 2 - Progressions with Inversions
  • Lesson 2 - More Voice Leading
  • Lesson 3 - Using Inversions (A Demonstration)
  • Lesson 4 - Keyboard Voicing
  • Lesson 5 - Creating Accompaniment
  • Lesson 6 - Textural Reduction
  • Lesson 7 - Reversing Schubert
  • Self-Assessment 1
  • Self-Assessment 2
  • Quiz 2
  • Module Three
  • Lesson 1 - Circle of Fifths Progressions
  • Lesson 2 - Descending 5-6 Progressions
  • Lesson 3 - Parallel Sixth Progressions
  • Lesson 4 - Analysis: Mozart, Piano Sonata, K. 545, i
  • Lesson 5 - Analysis: Beethoven, Piano Sonata, op. 109, i
  • Lesson 6 - Analysis: Mozart, Piano Sonata, K. 279, iii
  • Lesson 7 - Analysis: Mozart, Piano Sonata, K. 533, iii
  • Lesson 8 - Non-chord Tones (NCTs)
  • Lesson 9 - Using NCTs with Sequential Progressions - Part 1
  • Lesson 10 - Using NCTs with Sequential Progressions - Part 2
  • Lesson 11 - Using NCTs with Sequential Progressions - Part 3
  • Self-Assessment
  • Module Four
  • Lesson 1 - Diatonic Substitutions
  • Lesson 2 - Diatonic Substitutions 2: Substituting IV with ii
  • Lesson 3 - Diatonic Substitutions 3: The V-vi Progressions
  • Lesson 4 - Cadences
  • Lesson 5 - Analysis: Beethoven: Piano Sonata, op. 2, no. 3, ii
  • Lesson 6 - Period Form
  • Lesson 7 Part 1 - Melodic Writing
  • Lesson 7 Part 2 - Melodic Writing
  • Lesson 7 Part 3 - Melodic Writing
  • Self-Assessment
  • Quiz 3
  • Module Five
  • Lesson 1 - Chromatic Substitutions: The Neapolitan 6 Chord
  • Lesson 2 - Analysis: Schubert's Der Müller und der Bach
  • Lesson 3 - Chromatic Substitutions: Augmented Sixth Chords
  • Lesson 4 Part 1 - Analysis: Beethoven's Bagatelle, op. 119, no I
  • Lesson 4 Part 2 - Analysis: Beethoven's Bagatelle, op. 119, no I
  • Lesson 5 - Chromatic Substitutions: Borrowed Chords
  • Lesson 6 Part 1 - Simple 2-Voice Counterpoint
  • Lesson 6 Part 2 - Simple 2-Voice Counterpoint
  • Lesson 7 Part 1 - Guided Practice in Counterpoint
  • Lesson 7 Part 2 - Guided Practice in Counterpoint
  • Self-Assessment
  • Module Six
  • Lesson 1 - Progressions within Progressions: an Introduction (9:44)
  • Lesson 2 - Progressions within Progressions: Examples (13:53)
  • Lesson 3 - Progressions within Progressions: Secondary Leading Tone Chords (6:17)
  • Lesson 4 - The Alberti Bass (7:09)
  • Lesson 5 - Elaborating Progressions (15:15)
  • Lesson 6 Part 1 - Analysis: Mozart's K. 331
  • Lesson 6 Part 2 - Analysis: Mozart's K. 331
  • Lesson 6 Part 3 - Analysis: Mozart's K. 331
  • Lesson 7 - Guided Practice with Alberti Bass
  • Outro Message
  • Post-Course Survey

Summary of User Reviews

Students praise Classical Composition for its comprehensive coverage of classical music theory and composition techniques. Many found the course to be challenging but rewarding, with excellent instructor feedback and a supportive community of fellow learners.

Key Aspect Users Liked About This Course

The course covers a wide range of classical music theory and composition techniques in detail, making it an excellent resource for aspiring composers.

Pros from User Reviews

  • Excellent instructor feedback
  • Comprehensive coverage of classical music theory and composition techniques
  • Supportive community of fellow learners
  • Challenging but rewarding course content

Cons from User Reviews

  • Some students found the course content to be overwhelming
  • The workload can be quite heavy at times
  • Not suitable for beginners or those without a strong musical background
English
Available now
Approx. 15 hours to complete
Peter Edwards
National University of Singapore
Coursera

Instructor

Peter Edwards

  • 4.9 Raiting
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